Forty years ago, on June 27, 1969, the gay liberation movement began when police raided the Stonewall Inn, a gay bar in Sheridan Square in New York City's Greenwich Village. On that night, gay people fought back.
According to a New York Times article published on June 29, 1969, police chased more than 200 men into the street at 3 a.m., and a crowd of 400 quickly gathered. More than a dozen were arrested in the riot, and the gay rights movement was born. The Columbia Universities Libraries has a valuable online exhibition, Stonewall and Beyond: Lesbian and Gay Culture, featuring newspaper clippings, interviews, and contemporary queer scholarship.
How far have we come in 40 years? Depends on where you live and where you work. If you live in Massachusetts, you have the legal right to marry. If you serve in the U.S. Military, you will be fired from your job.
President Obama has not yet honored his very specific campaign promise to end the discriminatory and ineffective Don't Ask, Don't Tell policy, which prohibits gays and lesbians from serving in the military. Nonetheless, he seems to be trying to reach out to the LGBT community. The President and First Lady hosted a LGBT Pride Month reception at the White House on June 29. But nice White House receptions are not enough.
I hope President Obama will heed the words of Dr. Martin Luther King, Jr. in King's famous 1963 work, "Letter from Birmingham Jail." They ring true when you think of the Stonewall rioters of 1969, and they ring true today as gay and lesbian Americans are tired of waiting for full civil rights.
King wrote: "We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed... For years now I have heard the word 'Wait!' ... This 'Wait' has almost always meant 'Never.' We must come to see, with one of our distinguished jurists, that 'justice too long delayed is justice denied.' ... We have waited for more than 340 years for our constitutional and God given rights... Oppressed people cannot remain oppressed forever."
Tuesday, June 30, 2009
More Evidence Pirates Really Are Trying to Kill me
From the Post-Gazette: "The Pirates and Washington have agreed in principle to a trade that would send outfielder Nyjer Morgan and reliever Sean Burnett to the Nationals for outfielder Lastings Milledge and reliever Joel Hanrahan."
www.post-gazette.com/pg/09181/980813-100.stm#ixzz0JwQLr1TF&D
Just when I find a player I love to watch, they have to send him away. Which is not to say that Lastings Milledge is not a better player. He might be, but I doubt it. He's batting .167 with one RBI. One.
Admittedly, he's played only seven games. Oh, because the Nats sent him down to AAA affiliate Syracuse in April. You have to be a special kind of suck to be sent down by the lowly Nationals. Super. His 2009 game log is an impressive steaming pile if ever there was one:
sports.espn.go.com/mlb/players/gamelog?playerId=6477
Why do I keep thinking about Tyke Redman? (sports.espn.go.com/mlb/players/stats?playerId=4442)
Only more injury prone. And way more of a head case.
If it pans out that way, you heard it here first.
The Nyjer Morgan era is over in favor of a head case, injury magnet, and bust. Let the Lastings Milledge era begin!
Meanwhile, I'm still hot about the McLouth trade. Not because Nate McClouth is the second coming of Ralph Kiner, but because I'm convinced that Gorkys Hernandez, Jeff Morton and Jeff Locke are going to end up just three more testaments to mediocrity. Hurrah. More mediocre players.
And people around here wonder why the great unwashed masses yearn for Steelers training camp? Look no further than your Pittsburgh Pirates.
Sincerely,
Still Bitter on the North Side
P.S. Is it hockey season yet?
www.post-gazette.com/pg/09181/980813-100.stm#ixzz0JwQLr1TF&D
Just when I find a player I love to watch, they have to send him away. Which is not to say that Lastings Milledge is not a better player. He might be, but I doubt it. He's batting .167 with one RBI. One.
Admittedly, he's played only seven games. Oh, because the Nats sent him down to AAA affiliate Syracuse in April. You have to be a special kind of suck to be sent down by the lowly Nationals. Super. His 2009 game log is an impressive steaming pile if ever there was one:
sports.espn.go.com/mlb/players/gamelog?playerId=6477
Why do I keep thinking about Tyke Redman? (sports.espn.go.com/mlb/players/stats?playerId=4442)
Only more injury prone. And way more of a head case.
If it pans out that way, you heard it here first.
The Nyjer Morgan era is over in favor of a head case, injury magnet, and bust. Let the Lastings Milledge era begin!
Meanwhile, I'm still hot about the McLouth trade. Not because Nate McClouth is the second coming of Ralph Kiner, but because I'm convinced that Gorkys Hernandez, Jeff Morton and Jeff Locke are going to end up just three more testaments to mediocrity. Hurrah. More mediocre players.
And people around here wonder why the great unwashed masses yearn for Steelers training camp? Look no further than your Pittsburgh Pirates.
Sincerely,
Still Bitter on the North Side
P.S. Is it hockey season yet?
Passion Loses in Playoffs to D.C. Divas
27-17 loss bounced Pittsburgh from the post-season at True/Slant:
trueslant.com/jodydiperna/2009/06/30/woman-on-the-offensive-line-plays-last-full-contact-football-game/
trueslant.com/jodydiperna/2009/06/30/woman-on-the-offensive-line-plays-last-full-contact-football-game/
Monday, June 29, 2009
Theology and Algebra
That is actually the name of a Blenderhead song, but not what this post is about. I just thought it made a cool title, and is half-way relevant.
Due the release of Jeremy Enigk's 3rd solo album, 'OK Bear' and the news of the Sunny Day Real Estate reunion, I have been listening to lots of his music. Today that is the Fire Theft. Of the eight albums that Jeremy sings lead on, it is my least favorite. That is not to say it is bad, it just doesn't grab me the way the rest of his solo stuff and SDRE does. There are some outstanding songs on it, mainly "It's Over" and "Heaven."
This post is about the song "Heaven." Heaven, both the song and the place, are two things I have never really understood, but I have had lots of thoughts about recently. And my thoughts about the place Heaven and the song "Heaven" parallel one another.
Heaven is described by most people as a physical place- where we have big mansions on gold streets, we hang out with angels, and oh yeah God is up there with us to. It has taken me 32 years to completely grasp this, but heaven is not a physical place. Do I believe it exists? Definitely. But heaven is being with God, period. Will I live in a fancy place? Maybe. But the point of heaven, and the point of salvation through Jesus, is that I get to BE WITH God eternally. That is awesome. I get to worship him, spend time with him, and all the rest will be nice but not really that important.
That brings me back to this song by the Fire Theft, with lyrics by Jeremy Enigk. I'll don't know what Jeremy was thinking when he wrote this song, but for the first time in six years, today it means something to me. You can't find heaven the place; you'll reach heaven when you fall in love with Jesus.
"heaven
are you really waiting outside the door
never though i'd hear the words before the road
Due the release of Jeremy Enigk's 3rd solo album, 'OK Bear' and the news of the Sunny Day Real Estate reunion, I have been listening to lots of his music. Today that is the Fire Theft. Of the eight albums that Jeremy sings lead on, it is my least favorite. That is not to say it is bad, it just doesn't grab me the way the rest of his solo stuff and SDRE does. There are some outstanding songs on it, mainly "It's Over" and "Heaven."
This post is about the song "Heaven." Heaven, both the song and the place, are two things I have never really understood, but I have had lots of thoughts about recently. And my thoughts about the place Heaven and the song "Heaven" parallel one another.
Heaven is described by most people as a physical place- where we have big mansions on gold streets, we hang out with angels, and oh yeah God is up there with us to. It has taken me 32 years to completely grasp this, but heaven is not a physical place. Do I believe it exists? Definitely. But heaven is being with God, period. Will I live in a fancy place? Maybe. But the point of heaven, and the point of salvation through Jesus, is that I get to BE WITH God eternally. That is awesome. I get to worship him, spend time with him, and all the rest will be nice but not really that important.
That brings me back to this song by the Fire Theft, with lyrics by Jeremy Enigk. I'll don't know what Jeremy was thinking when he wrote this song, but for the first time in six years, today it means something to me. You can't find heaven the place; you'll reach heaven when you fall in love with Jesus.
"heaven
are you really waiting outside the door
never though i'd hear the words before the road
sever
it's the simple things that are so hard to grasp
can't find myself in all the days that passed
but i can feel it when it shines
nevermind i'm falling in love with you
can't find the road that runs though
falling love with you
heaven
are you really waiting outside the door
never thought i'd hear the words before the road
sever
it's the simple things that are so hard to grasp
can't find myself in all these days that pass
but i can find feel it when it shines
nevermind the way they shy
turning around along the trail
my whole world is falling in love with you
can't find the road that runs through
falling in love with you
can't find the road that gets through"
'The Literal Embodiment of Identity in Flux'
Tributes to the late Michael Jackson have saturated the media this week, and appropriately so. I've long believed that Michael Jackson was among the greatest musical and performing artists of the 20th Century. But perhaps we should also recognize his influence beyond the artistic sphere. One interesting point about Mr. Jackson's impact on society was presented in the pages of The New York Times on Sunday, June 28. Guy Trebay writes that Michael Jackson contributed significantly to—if not outright invented—the public conversation about transforming one's own image.
"He anticipated the the growing cultural unease with categories and their strictures," Trebay writes. "Was he black or white; old or young; gay or straight or something in between? Long before Thomas Beatie, the female-to-male transsexual, announced his fatherhood on 'Oprah,' or before a closet door was opened to public dialogue about transgender people, Mr. Jackson became the literal embodiment of identity in flux."
"And if his explorations sometimes seemed extreme," Trebay continues, "he remained unapologetic in asserting that his image—in all its curious and repellant, beautiful and alluring, sexy and asexual, masculine and feminine manifestations—was his alone to devise."
I find Trebay's argument compelling. Indeed, Michael Jackson's image was his own creation—a creation that often sparked more public discourse than did his music. He chose to blur the appearance of his race and tinker with the presentation of his gender. He was a paradox. He was without a doubt a powerful man (just look at the ferocity of his dancing), yet he was also obviously a feminine man. His music and musical vocabulary were no doubt anchored in the black tradition in American pop music (and one could even argue: Is there any other tradition in American pop music?), and yet, I assume, by virtue of the sheer volume of record sales, that more white Americans purchased his music than did black Americans.
Michael Jackson's death sent a ripple across the globe in no small part because his image provided something for nearly everyone to connect with, or, at least, marvel at.
"He anticipated the the growing cultural unease with categories and their strictures," Trebay writes. "Was he black or white; old or young; gay or straight or something in between? Long before Thomas Beatie, the female-to-male transsexual, announced his fatherhood on 'Oprah,' or before a closet door was opened to public dialogue about transgender people, Mr. Jackson became the literal embodiment of identity in flux."
"And if his explorations sometimes seemed extreme," Trebay continues, "he remained unapologetic in asserting that his image—in all its curious and repellant, beautiful and alluring, sexy and asexual, masculine and feminine manifestations—was his alone to devise."
I find Trebay's argument compelling. Indeed, Michael Jackson's image was his own creation—a creation that often sparked more public discourse than did his music. He chose to blur the appearance of his race and tinker with the presentation of his gender. He was a paradox. He was without a doubt a powerful man (just look at the ferocity of his dancing), yet he was also obviously a feminine man. His music and musical vocabulary were no doubt anchored in the black tradition in American pop music (and one could even argue: Is there any other tradition in American pop music?), and yet, I assume, by virtue of the sheer volume of record sales, that more white Americans purchased his music than did black Americans.
Michael Jackson's death sent a ripple across the globe in no small part because his image provided something for nearly everyone to connect with, or, at least, marvel at.
Saturday, June 27, 2009
I Want You Back
The Sapphist Gazetteer does not want to hear anything bad about Michael Jackson right now, so let's just give it a rest, and, instead, celebrate his music. Those of us with sapphic orientation should especially appreciate the Jackson 5 soundtrack in one of the best-ever L Word scenes, which appeared in Episode 4 of Season 5. A video artist by the name of Iamfreetobeme has uploaded a terrific, joyful compilation of Season 5 moments, including the party during which the girls dance to Michael Jackson singing "I Want You Back." Click the link to the YouTube video and prepare to smile for the next 3 minutes and 12 seconds.
Best of 2009, halfway there
Doing a redesign of blog, excuse the mess.
Best albums of 2009, at the midpoint:
1. Appleseed Cast- Sagarmatha**
The band continues on, staying active, playing shows and releasing music now for over a decade. 2006's Peregrine was my least favorite of their albums, although many fans seem to really like it. This album blew me away. More post-rock than any of their previous work, and a definite change of pace from the last two releases. Started out as an instrumental EP until they kept recording and turned it into an LP. Almost every song ended up with vocals, but the album at times goes on for 10 minutes without any singing.
Buy on vinyl, because you get a bonus track and beautiful, extensive artwork and packaging (see my post a few months ago for pictures). For some reason it has completely different artwork than the cheesy CD/digital cover of a xylophone. They should have used the vinyl artwork for every format. Available on emusic.
2. Paper Route- Absence
Nashville band that I have been following for a few years. They had released three digital EPs before this, their first LP. Rock/electronica with an 80's twist.
Unfortunately not available on vinyl. I bought on CD because I pre-ordered it, but iTunes had the cheapest price for awhile of 5.99 plus an exclusive bonus track. Not on emusic.
3. Manchester Orchestra- Mean Everything to Nothing**
Altanta-band steps with up with their sophomore release, rocking harder. Fronted by prolific songwriter Andy Hull (check out solo project Right Away, Great Captain!), album has very challenging lyrics. Download the single for free.
Buy it on vinyl and it comes with the CD. Not on emusic.
4. Jeremy Enigk- OK Bear*
Third solo album from Enigk, and drastically different than the first two. Simple, raw production with much more guitar. Songs are shorter and less epic. Jeremy's unique, terrific voice is the focus. Album was recorded in Spain with Spanish musicians who were apparently big fans of SDRE.
I got it on emusic, but it is available on vinyl through a Spanish record label: BCore. To import it though from their website though it would cost me nearly $50. Maybe eventually I'll see if some store over here can get it for me for a reasonable price (less than $20).
5. Metric- Fantasies*
Band has been around for awhile, but this is my first exposure to them. Terrific, catchy, female-fronted dance-rock.
I got it on emusic, but it is available on vinyl in a huge, fancy deluxe package: Metric store.
Worth mentioning:
Gomez- A New Tide
Neko Case- Middle Cyclone*
A.C. Newman- Get Guilty*
MeWithoutYou- It's All Crazy! It's All False! It's All A Dream It's Alright*
Highly anticipated for the rest of the year:
1. Sunny Day Real Estate reunion. Still unknown whether or not it will result in a new album, but the tour is enough for me. I am seeing them October 3 in Atlanta. And Diary and LP2 are being re-released on CD and vinyl with new liner notes and bonus tracks through Sub-Pop.
2. Thrice- Beggars (new album in October). My favorite band of the 2000s releasing their 5th full-length. Alchemy Index vinyl is unreal, I need to do a post on it alone.
3. Land der Lebendigen- Tess Wiley's new German-language band. The album is out, but not on this side of the Atlantic yet. Awaiting word from Tess on how to get it. Myspace songs are up.
4. Fair- new album is finished and will be released by the end of the year.
5. Sixpence None the Richer will enter the studio in September to record a new album.
6. Stavesacre- New EP and DVD with Jeff Bellew back in the band. Pre-order it here, releases in July. Stavesacre and The Crucified are both playing Cornerstone next week.
7. Mindy Smith- Stupid Love. New album releases August 11.
8. David Bazan- Curse Your Branches. Solo album on Barsuk September 1.
Best albums of 2009, at the midpoint:
1. Appleseed Cast- Sagarmatha**
The band continues on, staying active, playing shows and releasing music now for over a decade. 2006's Peregrine was my least favorite of their albums, although many fans seem to really like it. This album blew me away. More post-rock than any of their previous work, and a definite change of pace from the last two releases. Started out as an instrumental EP until they kept recording and turned it into an LP. Almost every song ended up with vocals, but the album at times goes on for 10 minutes without any singing.
Buy on vinyl, because you get a bonus track and beautiful, extensive artwork and packaging (see my post a few months ago for pictures). For some reason it has completely different artwork than the cheesy CD/digital cover of a xylophone. They should have used the vinyl artwork for every format. Available on emusic.
2. Paper Route- Absence
Nashville band that I have been following for a few years. They had released three digital EPs before this, their first LP. Rock/electronica with an 80's twist.
Unfortunately not available on vinyl. I bought on CD because I pre-ordered it, but iTunes had the cheapest price for awhile of 5.99 plus an exclusive bonus track. Not on emusic.
3. Manchester Orchestra- Mean Everything to Nothing**
Altanta-band steps with up with their sophomore release, rocking harder. Fronted by prolific songwriter Andy Hull (check out solo project Right Away, Great Captain!), album has very challenging lyrics. Download the single for free.
Buy it on vinyl and it comes with the CD. Not on emusic.
4. Jeremy Enigk- OK Bear*
Third solo album from Enigk, and drastically different than the first two. Simple, raw production with much more guitar. Songs are shorter and less epic. Jeremy's unique, terrific voice is the focus. Album was recorded in Spain with Spanish musicians who were apparently big fans of SDRE.
I got it on emusic, but it is available on vinyl through a Spanish record label: BCore. To import it though from their website though it would cost me nearly $50. Maybe eventually I'll see if some store over here can get it for me for a reasonable price (less than $20).
5. Metric- Fantasies*
Band has been around for awhile, but this is my first exposure to them. Terrific, catchy, female-fronted dance-rock.
I got it on emusic, but it is available on vinyl in a huge, fancy deluxe package: Metric store.
Worth mentioning:
Gomez- A New Tide
Neko Case- Middle Cyclone*
A.C. Newman- Get Guilty*
MeWithoutYou- It's All Crazy! It's All False! It's All A Dream It's Alright*
Highly anticipated for the rest of the year:
1. Sunny Day Real Estate reunion. Still unknown whether or not it will result in a new album, but the tour is enough for me. I am seeing them October 3 in Atlanta. And Diary and LP2 are being re-released on CD and vinyl with new liner notes and bonus tracks through Sub-Pop.
2. Thrice- Beggars (new album in October). My favorite band of the 2000s releasing their 5th full-length. Alchemy Index vinyl is unreal, I need to do a post on it alone.
3. Land der Lebendigen- Tess Wiley's new German-language band. The album is out, but not on this side of the Atlantic yet. Awaiting word from Tess on how to get it. Myspace songs are up.
4. Fair- new album is finished and will be released by the end of the year.
5. Sixpence None the Richer will enter the studio in September to record a new album.
6. Stavesacre- New EP and DVD with Jeff Bellew back in the band. Pre-order it here, releases in July. Stavesacre and The Crucified are both playing Cornerstone next week.
7. Mindy Smith- Stupid Love. New album releases August 11.
8. David Bazan- Curse Your Branches. Solo album on Barsuk September 1.
Wednesday, June 24, 2009
Sapphist Laureate Reappointed
Those in the lesbian realm might have missed an important occasion last month when Kay Ryan, the US Poet Laureate, was appointed by the Library of Congress to a second term. The position, officially called Poet Laureate Consultant in Poetry, is the nation’s only federally designated position for a literary artist. Ryan—a 63-year-old poet, educator, and lesbian from California—served her first term as US Poet Laureate in 2008-09. That term ended on May 7, and her second term will end in spring 2010.
We hope this second appointment is a bright spot for Professor Ryan, who in January lost her spouse and partner of 30 years, Carol Adair, 66. Ryan and Adair taught together at the College of Marin, a community college in Marin County, California. Ryan has taught remedial English classes at the College of Marin since the early 1970s.
"She was a simply stunning teacher," Ryan said of Adair.
Ryan’s poems have been compared to those of Emily Dickinson—another person of interest to Sapphists, considering Dickinson’s infatuation with her brother’s wife. (That’s a post for another day.) But Ryan's poetry reminds the Sapphist Gazetteer of another great American lesbian poet, Mary Oliver.
Many of Ryan’s poems are published at the Poetry Foundation website. But here’s a nice one for you:
Paired Things
BY KAY RYAN
Who, who had only seen wings,
could extrapolate the
skinny sticks of things
birds use for land,
the backward way they bend,
the silly way they stand?
And who, only studying
birdtracks in the sand,
could think those little forks
had decamped on the wind?
So many paired things seem odd.
Who ever would have dreamed
the broad winged raven of despair
would quit the air and go
bandylegged upon the ground,
a common crow?
We hope this second appointment is a bright spot for Professor Ryan, who in January lost her spouse and partner of 30 years, Carol Adair, 66. Ryan and Adair taught together at the College of Marin, a community college in Marin County, California. Ryan has taught remedial English classes at the College of Marin since the early 1970s.
"She was a simply stunning teacher," Ryan said of Adair.
Ryan’s poems have been compared to those of Emily Dickinson—another person of interest to Sapphists, considering Dickinson’s infatuation with her brother’s wife. (That’s a post for another day.) But Ryan's poetry reminds the Sapphist Gazetteer of another great American lesbian poet, Mary Oliver.
Many of Ryan’s poems are published at the Poetry Foundation website. But here’s a nice one for you:
Paired Things
BY KAY RYAN
Who, who had only seen wings,
could extrapolate the
skinny sticks of things
birds use for land,
the backward way they bend,
the silly way they stand?
And who, only studying
birdtracks in the sand,
could think those little forks
had decamped on the wind?
So many paired things seem odd.
Who ever would have dreamed
the broad winged raven of despair
would quit the air and go
bandylegged upon the ground,
a common crow?
Tuesday, June 23, 2009
Rachel Maddow: 'It's Better To Be Out'
Our beloved big ole lesbian tomboy Rachel Maddow has encouraged all gay folks to come out. She made the appeal during an interview on Charlie Rose on June 18. The final two minutes of the 24-minute interview were dedicated to “the sexuality issue,” as Charlie phrased it. Rachel explained that coming out is “a different degree of traumatic for everybody,” but, nonetheless, she implied that we must be brave because she said being out is better for the individual and ethically right for the community. Maddow, 36, says she came out at age 17, which means she's been out for 19 years. So, as usual, Dr. Maddow knows what she's talking about.
The entire interview is worth watching, but, for the extra busy lesbians among us, The Sapphist Gazetteer, a master typist, has transcribed the gay bits for you:
Charlie: Was the sexuality issue ever an issue?
Rachel: I wish that I had figured it out earlier than I did.
Charlie: How did you figure it out?
Rachel: I just sort of arrived at it through rational deduction. [Laughs] I literally woke up one day and was, like, ‘Oh, that’s what’s been going on.’ [Snaps fingers and laughs]
Charlie: Was it easy?
Rachel: No. Coming out both to oneself and to one’s family is a different degree of traumatic for everybody. It wasn’t easy. I figured it out when I was about 17, and I wish I’d figured it out earlier. But I am glad; I’m happy for the decision to come out publicly very soon after I figured it out myself. So my time as a closeted person, which I think is a pretty awful place to be, was a very, very short period of time in my life, and for that I’m grateful.
Charlie: And that is the advice you give to every gay person, or do you say, ‘Everybody, find your own way.”?
Rachel: Find your own way, but it is better to be out than to be closeted. And I can say that in terms of quality of life, and in terms of what is ethically right for your community. It is better for other gay people if you’re out. The more people that come out, the better. And so that’s the only thing that I encourage anybody to do, and I certainly live that.
The entire interview is worth watching, but, for the extra busy lesbians among us, The Sapphist Gazetteer, a master typist, has transcribed the gay bits for you:
Charlie: Was the sexuality issue ever an issue?
Rachel: I wish that I had figured it out earlier than I did.
Charlie: How did you figure it out?
Rachel: I just sort of arrived at it through rational deduction. [Laughs] I literally woke up one day and was, like, ‘Oh, that’s what’s been going on.’ [Snaps fingers and laughs]
Charlie: Was it easy?
Rachel: No. Coming out both to oneself and to one’s family is a different degree of traumatic for everybody. It wasn’t easy. I figured it out when I was about 17, and I wish I’d figured it out earlier. But I am glad; I’m happy for the decision to come out publicly very soon after I figured it out myself. So my time as a closeted person, which I think is a pretty awful place to be, was a very, very short period of time in my life, and for that I’m grateful.
Charlie: And that is the advice you give to every gay person, or do you say, ‘Everybody, find your own way.”?
Rachel: Find your own way, but it is better to be out than to be closeted. And I can say that in terms of quality of life, and in terms of what is ethically right for your community. It is better for other gay people if you’re out. The more people that come out, the better. And so that’s the only thing that I encourage anybody to do, and I certainly live that.
Saturday, June 20, 2009
Hey Buddy, Can You Spare a Nine Iron?
I believe that developing a proper mastery for watching a sport is a lot like learning a second language: the younger you are when you do it, the richer your understanding will be, which puts me at a decided disadvantage among golf fans, given that I watched my first golf tournament only six years ago while housebound, rehabbing an ankle that looked kinda like Jimmy Caan's ankle in "Misery" after Kathy Bates hobbled him. In fact, when my buddy the Deadhead called to browbeat me into watching the back nine at the Masters, I didn't know what the back nine was, though I didn't admit that to him. I thought it might be some sort of farming term. Or possibly a boy band along the lines of "N'Sync." (I've since learned that the back nine are the last nine holes of golf to be played in the final round. At least I hope I've got even that much right.)
At the start of that day, I was much more familiar with runways than fairways, but by evening, through the final round which included many calls to the Deadhead, I learned that a bogie was bad, a birdie was good and the importance of a "short game." And to my surprise, I kinda liked it. Not enough to play, because I would never spend even the price of a Starbuck's latte to walk on manicured lawns and curse, but watching golf in hi-def, the clarity of which can give me an allergy attack from the comfort of my sofa, is pretty entertaining. So, I learned enough to enjoy any major tournament on Sunday, but there still remained the problem of how to get truly engaged.
For me to really connect to a sport, I need to have a rooting interest and it's not so easy in golf as it with team sports. I have a highly refined ability to turn on a random, Division II college football game, make a split-second judgment about a team based on location or conference, the posture of the coach, or the color and design of the uniforms, and thus instantaneously, it will become very important to me that that team lose.
When I decided to make the leap to golf, the first task was to find some go-to guys. There were two no-brainers in Jim Furyk and Rocco Mediate. Both are both local guys, seem pretty decent and it doesn't hurt that Mediate looks just like my regular UPS driver. Who else? Mike Weir won the first Masters I watched, plus he's Canadian and I love all Canadians, so I decided to root for him.
Of course, Tiger Woods and Phil Mickelson loom over all things golf and, despite the fact that both are fun to watch, I felt like I had to pick sides a'la the Hatfields and McCoys.
I chose Phil. I had a soft spot for that squirrelly lefty the moment I discovered that he always lost major tourneys, usually in stupdendously dramatic fashion. That really appealed to me -- the gifted guy who couldn't seem to get out of his own way -- so I got on the Mickelson bandwagon. Of course, he went out and won the Masters in 2004, which was great for him, but not so much for me, because a little of his lovable loser sheen was buffed off. Thankfully, Mickelson returned to form by imploding in the 2006 U.S. Open at Winged Foot (here for more info for other golf neophytes.) Phil himself said of that performance, "I'm such an idiot," and I never loved him more. It was, as baseball fans might say about a certain juiced slugger, just Phil being Phil.
To fully connect, though, I needed a villain, the golf equivalent of the Dallas Cowboys. I have this pilot friend who once flew Vijay Singh on a privately chartered flight. He said Vijay was a total dork, only substitute the middle two letters with two other letters so that you get the nickname for Richard, and with that, I had my first villain. But Singh has faded and heading into this year's golf season, I was in need of a new, proper villain. John Daly's a train wreck, but despite his Kenny Chesney wannabe fans, he's no Charlie Weis, no Bill Belichick, no A-Rod. I needed a real heel, someone who combined the worst traits of Mike Vrabel, Roger Clemens and Ohio State football fans.
And then, as though the golf gods answered this humble supplicant's plea, the pride of South Africa arrived to save the day. Thank you, Rory Sabatini.
Thanks for Rory's stupid face.
And his pot belly.
Thanks for his idiotic sartorial choices.
I'm eternally grateful for his stupid hair.
And how could I ever repay him for that moronic belt buckle?
So I'm rooting for Phil right now (although not as much as I'm rooting for his wife who is just beginning her battle with breast cancer) and I'll always be a sucker for Rocco. But truly, I'll okay with just about anybody winning at Bethpage Black, so long as it's not that jack ass Rory Sabatini.
At the start of that day, I was much more familiar with runways than fairways, but by evening, through the final round which included many calls to the Deadhead, I learned that a bogie was bad, a birdie was good and the importance of a "short game." And to my surprise, I kinda liked it. Not enough to play, because I would never spend even the price of a Starbuck's latte to walk on manicured lawns and curse, but watching golf in hi-def, the clarity of which can give me an allergy attack from the comfort of my sofa, is pretty entertaining. So, I learned enough to enjoy any major tournament on Sunday, but there still remained the problem of how to get truly engaged.
For me to really connect to a sport, I need to have a rooting interest and it's not so easy in golf as it with team sports. I have a highly refined ability to turn on a random, Division II college football game, make a split-second judgment about a team based on location or conference, the posture of the coach, or the color and design of the uniforms, and thus instantaneously, it will become very important to me that that team lose.
When I decided to make the leap to golf, the first task was to find some go-to guys. There were two no-brainers in Jim Furyk and Rocco Mediate. Both are both local guys, seem pretty decent and it doesn't hurt that Mediate looks just like my regular UPS driver. Who else? Mike Weir won the first Masters I watched, plus he's Canadian and I love all Canadians, so I decided to root for him.
Of course, Tiger Woods and Phil Mickelson loom over all things golf and, despite the fact that both are fun to watch, I felt like I had to pick sides a'la the Hatfields and McCoys.
I chose Phil. I had a soft spot for that squirrelly lefty the moment I discovered that he always lost major tourneys, usually in stupdendously dramatic fashion. That really appealed to me -- the gifted guy who couldn't seem to get out of his own way -- so I got on the Mickelson bandwagon. Of course, he went out and won the Masters in 2004, which was great for him, but not so much for me, because a little of his lovable loser sheen was buffed off. Thankfully, Mickelson returned to form by imploding in the 2006 U.S. Open at Winged Foot (here for more info for other golf neophytes.) Phil himself said of that performance, "I'm such an idiot," and I never loved him more. It was, as baseball fans might say about a certain juiced slugger, just Phil being Phil.
To fully connect, though, I needed a villain, the golf equivalent of the Dallas Cowboys. I have this pilot friend who once flew Vijay Singh on a privately chartered flight. He said Vijay was a total dork, only substitute the middle two letters with two other letters so that you get the nickname for Richard, and with that, I had my first villain. But Singh has faded and heading into this year's golf season, I was in need of a new, proper villain. John Daly's a train wreck, but despite his Kenny Chesney wannabe fans, he's no Charlie Weis, no Bill Belichick, no A-Rod. I needed a real heel, someone who combined the worst traits of Mike Vrabel, Roger Clemens and Ohio State football fans.
And then, as though the golf gods answered this humble supplicant's plea, the pride of South Africa arrived to save the day. Thank you, Rory Sabatini.
Thanks for Rory's stupid face.
And his pot belly.
Thanks for his idiotic sartorial choices.
I'm eternally grateful for his stupid hair.
And how could I ever repay him for that moronic belt buckle?
So I'm rooting for Phil right now (although not as much as I'm rooting for his wife who is just beginning her battle with breast cancer) and I'll always be a sucker for Rocco. But truly, I'll okay with just about anybody winning at Bethpage Black, so long as it's not that jack ass Rory Sabatini.
Friday, June 19, 2009
Lesbians Lose Another Butch
Naturally, we are all for transgender rights and the freedom for everyone to express who they truly are. And in keeping with this position, the Sapphist Gazetteer applauds and celebrates Chaz Bono's decision to transition from female to male. A courageous decision which no doubt will help diminish ignorance about trans issues—considering he is inherently likable and is probably the most famous trans person since Renee Richards. But Chaz's transition has also brought to light the sotto voce conversation in the lesbian realm regarding the concern that our best butches are choosing to become male, and, hence, no longer lesbian.
While trans persons are, of course, very much a part of the larger LGBT community, there is some controversy about where female-to-male individuals fit specifically into the lesbian community. Obviously, butch lesbians who become male are no longer lesbians. Yet often their female partners are lesbian. And the community in which they initially express their otherness in gender—or, come out as trans—is almost always the lesbian community. It's a conundrum that was first discussed in the mainstream media in March 2008 in "When Girls Will Be Boys" by Alissa Quart in The New York Times Magazine. This article examined the experience of female-to-male persons—or "transmales"—at women's colleges, and whether they even belong there. The issue was also examined somewhat on the L-Word. Interestingly, the issue primarily discussed on that show was the hostility and discrimination that Max, played by Daniela Sea, faced during transition (especially when he became pregnant.) But the question of Max's membership in the lesbian community was less prominent. Yes, there was the speechifying by Jenny about how, as a lesbian, she didn't want a boyfriend. But Jenny was pretty much universally hated (except by me! How could you not love a character so arch!), and thus this interesting nugget of conversation was dismissed.
Perhaps there is an alternative. In the early 1990s, the Sapphist Gazetteer attended a talk by Leslie Feinberg at the LGBT community center in the West Village in NYC. I recall that Feinberg, author of the seminal trans work, Stone Butch Blues, advocated for a third gender. A third gender, Feinberg argued, would allow individuals who did not identify with either female or male gender roles to express themselves most authentically. It's important to distinguish here that Feinberg (according to my memory) was not asking for a third sex. (Although a third sex arguably already does exist in nature: hermaphrodites.) While I cannot speak for Feinberg today, I do believe the idea of a third gender, the social construct, would allow some among us to avoid the troublesome issue of sex assignment and, therefore, the difficulties presented by anatomy, plastic surgery, and, one could say, self-mutilation.
While trans persons are, of course, very much a part of the larger LGBT community, there is some controversy about where female-to-male individuals fit specifically into the lesbian community. Obviously, butch lesbians who become male are no longer lesbians. Yet often their female partners are lesbian. And the community in which they initially express their otherness in gender—or, come out as trans—is almost always the lesbian community. It's a conundrum that was first discussed in the mainstream media in March 2008 in "When Girls Will Be Boys" by Alissa Quart in The New York Times Magazine. This article examined the experience of female-to-male persons—or "transmales"—at women's colleges, and whether they even belong there. The issue was also examined somewhat on the L-Word. Interestingly, the issue primarily discussed on that show was the hostility and discrimination that Max, played by Daniela Sea, faced during transition (especially when he became pregnant.) But the question of Max's membership in the lesbian community was less prominent. Yes, there was the speechifying by Jenny about how, as a lesbian, she didn't want a boyfriend. But Jenny was pretty much universally hated (except by me! How could you not love a character so arch!), and thus this interesting nugget of conversation was dismissed.
Perhaps there is an alternative. In the early 1990s, the Sapphist Gazetteer attended a talk by Leslie Feinberg at the LGBT community center in the West Village in NYC. I recall that Feinberg, author of the seminal trans work, Stone Butch Blues, advocated for a third gender. A third gender, Feinberg argued, would allow individuals who did not identify with either female or male gender roles to express themselves most authentically. It's important to distinguish here that Feinberg (according to my memory) was not asking for a third sex. (Although a third sex arguably already does exist in nature: hermaphrodites.) While I cannot speak for Feinberg today, I do believe the idea of a third gender, the social construct, would allow some among us to avoid the troublesome issue of sex assignment and, therefore, the difficulties presented by anatomy, plastic surgery, and, one could say, self-mutilation.
Thursday, June 18, 2009
Favre, Favre, Go Away, Don't Come Back Another Day
Earlier this week, Brett Favre went on Joe Buck's new HBO show (who thought that was a good idea?) and admitted that the rumors are true: he's hoping to play football again, specifically with the Minnesota Vikings. As reported in the Minneapolis-St. Paul Star-Tribune:
"Brett Favre ended weeks of silence Monday by making it clear that if his surgically repaired right arm is healthy, he wants to return to the NFL -- as a member of the Vikings. During an interview on HBO, the retired quarterback admitted it 'makes perfect sense' for him to play in Minnesota, even referring to the Vikings as 'we' at one point."
There was no doubt much rejoicing from one, John Madden, Favre's biggest cheerleader, and also from Vikings fans, who apparently believe their team will be improved with Methusela's younger brother, a/k/a Brett Favre, under center, but I've reached my complete and utter saturation point. What comes beyond saturation? Whatever that is, that's where I am with Favre. I'm anticipatorily over-loaded on future SportsCenter stories about him, more tired debates on the Sports Reporters, and sideline reports detailing his relationships with new teammates, coaches and even equipment managers. I'm dyspeptic when I think ahead to the Vikings Week 4 prime-time match up versus the Green Bay Packers, which will no doubt bring pre-game hype to heretofore unreached levels of inanity.
Somewhere along the way, Favre morphed from a mere-mortal quarterback into the gun-slinger monolith, unwilling to give up on the mystique of his own greatness, even as his abilities manifestly diminished. This version of Favre -- the older, annoying version that tearfully retires and un-retires annually -- has been so omnipresent that it retroactively taints my happier memories.
Every time I even hear his name, I make an unpleasant face, like the one I would make if I had to suck on an aspirin tablet. It's the exact same face I make when I see Madonna.
Tragically cool music snobs will deny ever enjoying the Material Girl, but I don't know anybody who didn't dance up a sweat to her first clubby, catchy self-titled disc back in the early '80's. Oh, sure, Madonna made mad missteps. For every "Express Yourself," there was a "Papa Don't Preach," and for every charming "League of Their Own" performance, there was a ludicrous stinker like "Body of Evidence." She produced some absolutely painful drivel, but she also had moments of greatness. She made some great dance music and dominated pop culture for a long time. Personally, I counted "Like a Prayer" as one of my top 10 favorite pop songs of all time. If anybody bothered to ask, which nobody did. Just saying.
Somewhere along the line, Madonna crossed a line and her miscues started to outnumber the moments of artistic genius; her knack for recognizing a trend just nanoseconds before it happened and then capitalizing, turned into an egomaniacal, solipsistic need to create the trend, to actually BE the trend. She tried on any pose, any outfit, any style to seem relevant. Heck, she tried on Kabbalah, and she even tried on a phony British accent when she started loafing with Rupert Everett. On a visit to the Holy Land several years ago, she asked to be called 'Esther', about which one of my wittier friends commented, "She's so biblical."
At some point, the current Madonna incarnation -- the yoga obsessed, Kaballah quoting, third-world child adopting, anorexic, surgically altered, A-Rod canoodling Madonna -- consumed and ruined the earlier eras. I deleted "Like a Prayer" from my iPod running mix.
Likewise, I used to love Favre. He was my favorite NFL player who didn't play in Pittsburgh. It was easy enough. I always had a soft spot for the Packers: the appeal of Green Bay as an NFL city, the charming chant of the locals, "Go Pack Go," Lombardi and Starr, the odd sartorial splendor of the green and the yellow, the frozen tundra and all that.
Then there was Favre himself, funny, reckless, fun-loving, with a canon for an arm. He won a lot and when he did, it was often in dramatic fashion. It was flat-out fun to watch Favre and the Packers. Back then, the gunslinger routine was fresh and organic.
Like Madonna, Brett made a lot of missteps along the way. His 464 career touchdown passes rank as the most for any QB; of course, his 310 career interceptions rank at the top, too. He won one Super Bowl but there are those who think he could have, in fact, should have had more. There were times when he carried his team, elevated them to heights unattainable without him. And then, like Madonna in her "Swept Away"/"Die Another Day" phase, there were games that he threw away: the 2003/2004 divisional playoff game versus the Eagles, when he threw a late game interception that lead to the winning kick for the Eagles; or the 2007/2008 NFC Championship game in which he tossed two killer picks that sent the Packers into the off-season and the New York Giants into the Super Bowl.
The thing is, he always threw bad picks. That's just who he was and his penchant for the big mistake used to be counter-balanced by some entertaining heroics. But, as with Madonna, Favre's stinkers became more frequent and his moments of greatness more remote. The 2008 Favre devoured the 1996 Favre.
What could a return possibly accomplish that he hasn't already accomplished? Another MVP or Super Bowl title are highly unlikely. And besides, how many of those does he need to solidify his already secured spot in the pantheon? And, truly, how many more hit records are in Madonna's future? At this point, they both seem like the party guests who see you cleaning up, yawning, even brushing and flossing, but don't know that it's time to go.
"Brett Favre ended weeks of silence Monday by making it clear that if his surgically repaired right arm is healthy, he wants to return to the NFL -- as a member of the Vikings. During an interview on HBO, the retired quarterback admitted it 'makes perfect sense' for him to play in Minnesota, even referring to the Vikings as 'we' at one point."
There was no doubt much rejoicing from one, John Madden, Favre's biggest cheerleader, and also from Vikings fans, who apparently believe their team will be improved with Methusela's younger brother, a/k/a Brett Favre, under center, but I've reached my complete and utter saturation point. What comes beyond saturation? Whatever that is, that's where I am with Favre. I'm anticipatorily over-loaded on future SportsCenter stories about him, more tired debates on the Sports Reporters, and sideline reports detailing his relationships with new teammates, coaches and even equipment managers. I'm dyspeptic when I think ahead to the Vikings Week 4 prime-time match up versus the Green Bay Packers, which will no doubt bring pre-game hype to heretofore unreached levels of inanity.
Somewhere along the way, Favre morphed from a mere-mortal quarterback into the gun-slinger monolith, unwilling to give up on the mystique of his own greatness, even as his abilities manifestly diminished. This version of Favre -- the older, annoying version that tearfully retires and un-retires annually -- has been so omnipresent that it retroactively taints my happier memories.
Every time I even hear his name, I make an unpleasant face, like the one I would make if I had to suck on an aspirin tablet. It's the exact same face I make when I see Madonna.
Tragically cool music snobs will deny ever enjoying the Material Girl, but I don't know anybody who didn't dance up a sweat to her first clubby, catchy self-titled disc back in the early '80's. Oh, sure, Madonna made mad missteps. For every "Express Yourself," there was a "Papa Don't Preach," and for every charming "League of Their Own" performance, there was a ludicrous stinker like "Body of Evidence." She produced some absolutely painful drivel, but she also had moments of greatness. She made some great dance music and dominated pop culture for a long time. Personally, I counted "Like a Prayer" as one of my top 10 favorite pop songs of all time. If anybody bothered to ask, which nobody did. Just saying.
Somewhere along the line, Madonna crossed a line and her miscues started to outnumber the moments of artistic genius; her knack for recognizing a trend just nanoseconds before it happened and then capitalizing, turned into an egomaniacal, solipsistic need to create the trend, to actually BE the trend. She tried on any pose, any outfit, any style to seem relevant. Heck, she tried on Kabbalah, and she even tried on a phony British accent when she started loafing with Rupert Everett. On a visit to the Holy Land several years ago, she asked to be called 'Esther', about which one of my wittier friends commented, "She's so biblical."
At some point, the current Madonna incarnation -- the yoga obsessed, Kaballah quoting, third-world child adopting, anorexic, surgically altered, A-Rod canoodling Madonna -- consumed and ruined the earlier eras. I deleted "Like a Prayer" from my iPod running mix.
Likewise, I used to love Favre. He was my favorite NFL player who didn't play in Pittsburgh. It was easy enough. I always had a soft spot for the Packers: the appeal of Green Bay as an NFL city, the charming chant of the locals, "Go Pack Go," Lombardi and Starr, the odd sartorial splendor of the green and the yellow, the frozen tundra and all that.
Then there was Favre himself, funny, reckless, fun-loving, with a canon for an arm. He won a lot and when he did, it was often in dramatic fashion. It was flat-out fun to watch Favre and the Packers. Back then, the gunslinger routine was fresh and organic.
Like Madonna, Brett made a lot of missteps along the way. His 464 career touchdown passes rank as the most for any QB; of course, his 310 career interceptions rank at the top, too. He won one Super Bowl but there are those who think he could have, in fact, should have had more. There were times when he carried his team, elevated them to heights unattainable without him. And then, like Madonna in her "Swept Away"/"Die Another Day" phase, there were games that he threw away: the 2003/2004 divisional playoff game versus the Eagles, when he threw a late game interception that lead to the winning kick for the Eagles; or the 2007/2008 NFC Championship game in which he tossed two killer picks that sent the Packers into the off-season and the New York Giants into the Super Bowl.
The thing is, he always threw bad picks. That's just who he was and his penchant for the big mistake used to be counter-balanced by some entertaining heroics. But, as with Madonna, Favre's stinkers became more frequent and his moments of greatness more remote. The 2008 Favre devoured the 1996 Favre.
What could a return possibly accomplish that he hasn't already accomplished? Another MVP or Super Bowl title are highly unlikely. And besides, how many of those does he need to solidify his already secured spot in the pantheon? And, truly, how many more hit records are in Madonna's future? At this point, they both seem like the party guests who see you cleaning up, yawning, even brushing and flossing, but don't know that it's time to go.
Saturday, June 13, 2009
Welcome Back to Pittsburgh, Lord Stanley
I'd like to welcome Lord Stanley's official representative, Cup, back to Pittsburgh. It's been a while since your last visit, Cup, and a few things have changed.
What's that? Oh, yes, you are not mistaken, in fact that was the soft, sexy caress of Mario Lemieux's hands on you last night, but he doesn't play hockey any more. He owns the team now. Yes. Owns. No, I'm not kidding.
The Pirates? Oh, it really has been a while since you were here. They didn't win any titles and they've been just soul-crushingly horrible since you've left, but they have a pretty new ballfield, so they've got that going for them.
Yeah, a few other things have changed around here since then, too. We have a new Mayor. Sigh. I'll just leave it at that. And the housing boom that hit the rest of the country? Well, we never had that, but it's cool because when it all crashed and burned and brought the entire nation's economy down with it, it had a negligible impact here. In fact, ironically enough, Pittsburgh is being touted as a model of fiscal responsibility and good old American, ah, something or other involving character, I think. The city's in the New York Times all the time. Suddenly, they love us, though we're not so sure if the feeling is mutual.
Oh, yeah, that new Steelers coach that you met when you were here in 1992? He stayed for a long time and had a very good run. He finally won a Super Bowl in the 2005-2006 season, but then he retired and moved to Raleigh, North Carolina where he very publicly started rooting for the Carolina Hurricanes. Now he's about as popular around here as Marian "goal-less in the seven most important games of his career" Hosebag (tm Smiley). I guess those two can start golfing together any time.
You'll be spending your summer with a new bunch of guys, so let's get you up to speed on your hosts.
Let's start with Sidney Crosby, the youngest captain ever to tote you around the ice. (Notice, I didn't say 'hoist.' Why do people always say 'hoist?') Anyway, Sid's been touted as the great savior of the game since he was about 9 years old, which is good amount of pressure to carry around, but he never complains about it; he just works harder than he did the day before and, in spite of his youth, the guys in the Pens locker room would follow him to the ends of the earth. He's pretty much an assist machine. Just ask the old-timer and relative Pittsburgh newcomer, Billy Guerin, about what it's like to receive a pass from Sid right on the tape as he's perched in the goal mouth. He's rarely demonstrative and his game is less flashy than a few others, but he is a complete player in every way. He has fantastic hands and great vision and sees things opening up two and three moments before anybody else on the ice does.
The other guy I'm sure you'll be spending a lot of time with is Geno Malkin, the young Russian phenom who hauled in the Conn Smythe trophy, even as Detroit netminder Chris Osgood was thinking about where he'd display it in his home. Malkin's an amazing player. He can just physically take over a game and in Game 7, with Sid out with knee injury for much of the game, Geno threw himself all over the ice with reckless abandon to preserve the Pens victory. His english isn't great, but he's a good kid and he hasn't even reached his peak as a hockey player yet. Oh, don't be surprised if his mother uses you to serve her famous borscht.
Max Talbot is a local superstar, as he'll be the first to tell you, as much for his ebullient personality as his gritty style of play. He plays every shift with his foot flush on the gas peddle. His Game 7 heroics were the stuff made of legends. First, he and Geno irritated Brad Stuart into turning over the puck near the goal and then he buried it by going five-hole on Osgood. The second goal, the one that turned out to be the game winner, was again started when Talbot, this time teamed up with Chris Kunitz, badgered Stuart into another stupid turnover, this one at the blue line. Talbot raced towards Osgood, considered a cross-ice pass, reconsidered it, and lifted the puck over Osgood's shoulder. Top shelf, as Talbot himself would describe it. You'll have a lot of fun out with Max and I'm sure you'll get a lot of attention from the ladies.
Some of these guys aren't so young, and surely you remember Guerin from the old days with the New Jersey Devils, and Petr Sykora, too, from his 2000 performance with those Devils. Sergei Gonchar's been waiting a long time to meet you, but he was so anxious to do so that he played his usual steadying role after suffering a nasty knee injury in the Capitals series; we'll probably find out that he was skating with zero cartilage and ruptured ligaments in his knee ever since, but still played around 20 minutes a game. In Game 7, he logged of 24 minutes time, so yeah, I'd say he was pretty desperate to spend some time with you.
Even old Miro Satan made a return trip from Wilkes-Barre himself, just in the hopes he might dance with you.
The coach? Yeah, that's a crazy story to go from coaching in the AHL in Wilkes-Barre on Valentine's Day to winning the Stanley Cup just a few months later. It is stranger than fiction, indeed. By the way, is it kinda gay of me to have reading glasses that look like Bylsma's glasses? Even a little bit?
But this team is surprisingly deep and so many contributed. Jordan Staal is not even old enough to drink legally in Pennsylvania, but he was a penalty killing machine all playoffs and scored a short-handed goal in Game 4 that probably turned the whole series around. Tyler Kennedy is a grinder if there ever was one and he ended up having the game winner in Game 6. Line-mate Matt Cooke crushed everything within his vision in a red sweater. So did defenseman, Brooks Orpik. But then, he did that last year, so nobody was really surprised. Rob Scuderi single-handedly saved Game 6 with his in-goal heroics.
Well, yes I was getting to that. I was just saving the best for last, because, appropriately enough, so did he. Marc-Andre Fleury is a lithe, acrobatic guy, more of a dancer in net than a jock. They list him at 6' 2" and 180 pounds, but you'll see what a crock that is when you meet him. Perhaps Flower stands 6' 2" in his skates and weighs 180 in all of his gear, skates and stick included. He catches a lot of heat from the media and some of the fans love to disparage him, maybe because he seems so delicate, a trait which masks his iron will. Certain folks will dismiss his performance by pointing to his playoff goals against average (2.61 -- ranks 9th among playoff goalies), or his save percentage (.908 --10th among playoff goalies), but I'd direct you to his post-season wins: 16. It's the only number that matters. It must be said that he's had some rough moments. He let in two flukey goals off those funky springboards in Detroit in Game 1, then he let in a soft goal against Justin Abdelkader (who?) in Game 2. His brilliance in Games 3 and 4 was overshadowed by the Pens offensive firepower. Yeah, I know. He was horrible in Game 5. Just horrible. But when his team needed him most, he turned in back to back brilliant performances in Games 6 and 7 and he fought up until the very final moment, making a spectacular save on Niklas Lidstrom with less than one second left in Game 7. It was a save worthy the Mount Rushmore of saves, one of the Seven Wonders of the World kinda things.
It took a moment, after the clock wound down to zero, for anybody to realize that he had done it, and that the Pens had done it. With that, any questions about Fleury's capacity to perform in the clutch, to come up big in big moments, were answered. He went into a building that had his number, against a team that had his number, a team that circled like vultures for the last 20 minutes of action, and he stoned them. He just fucking stoned them. To be the best, you have to beat the best. That's what Fleury and the Pens did and that, my old friend, takes some stones.
So, welcome back. Give our best to Lord Stanley and enjoy your stay in Pittsburgh. You should get used to it. I can envision you spending a lot of summers here.
What's that? Oh, yes, you are not mistaken, in fact that was the soft, sexy caress of Mario Lemieux's hands on you last night, but he doesn't play hockey any more. He owns the team now. Yes. Owns. No, I'm not kidding.
The Pirates? Oh, it really has been a while since you were here. They didn't win any titles and they've been just soul-crushingly horrible since you've left, but they have a pretty new ballfield, so they've got that going for them.
Yeah, a few other things have changed around here since then, too. We have a new Mayor. Sigh. I'll just leave it at that. And the housing boom that hit the rest of the country? Well, we never had that, but it's cool because when it all crashed and burned and brought the entire nation's economy down with it, it had a negligible impact here. In fact, ironically enough, Pittsburgh is being touted as a model of fiscal responsibility and good old American, ah, something or other involving character, I think. The city's in the New York Times all the time. Suddenly, they love us, though we're not so sure if the feeling is mutual.
Oh, yeah, that new Steelers coach that you met when you were here in 1992? He stayed for a long time and had a very good run. He finally won a Super Bowl in the 2005-2006 season, but then he retired and moved to Raleigh, North Carolina where he very publicly started rooting for the Carolina Hurricanes. Now he's about as popular around here as Marian "goal-less in the seven most important games of his career" Hosebag (tm Smiley). I guess those two can start golfing together any time.
You'll be spending your summer with a new bunch of guys, so let's get you up to speed on your hosts.
Let's start with Sidney Crosby, the youngest captain ever to tote you around the ice. (Notice, I didn't say 'hoist.' Why do people always say 'hoist?') Anyway, Sid's been touted as the great savior of the game since he was about 9 years old, which is good amount of pressure to carry around, but he never complains about it; he just works harder than he did the day before and, in spite of his youth, the guys in the Pens locker room would follow him to the ends of the earth. He's pretty much an assist machine. Just ask the old-timer and relative Pittsburgh newcomer, Billy Guerin, about what it's like to receive a pass from Sid right on the tape as he's perched in the goal mouth. He's rarely demonstrative and his game is less flashy than a few others, but he is a complete player in every way. He has fantastic hands and great vision and sees things opening up two and three moments before anybody else on the ice does.
The other guy I'm sure you'll be spending a lot of time with is Geno Malkin, the young Russian phenom who hauled in the Conn Smythe trophy, even as Detroit netminder Chris Osgood was thinking about where he'd display it in his home. Malkin's an amazing player. He can just physically take over a game and in Game 7, with Sid out with knee injury for much of the game, Geno threw himself all over the ice with reckless abandon to preserve the Pens victory. His english isn't great, but he's a good kid and he hasn't even reached his peak as a hockey player yet. Oh, don't be surprised if his mother uses you to serve her famous borscht.
Max Talbot is a local superstar, as he'll be the first to tell you, as much for his ebullient personality as his gritty style of play. He plays every shift with his foot flush on the gas peddle. His Game 7 heroics were the stuff made of legends. First, he and Geno irritated Brad Stuart into turning over the puck near the goal and then he buried it by going five-hole on Osgood. The second goal, the one that turned out to be the game winner, was again started when Talbot, this time teamed up with Chris Kunitz, badgered Stuart into another stupid turnover, this one at the blue line. Talbot raced towards Osgood, considered a cross-ice pass, reconsidered it, and lifted the puck over Osgood's shoulder. Top shelf, as Talbot himself would describe it. You'll have a lot of fun out with Max and I'm sure you'll get a lot of attention from the ladies.
Some of these guys aren't so young, and surely you remember Guerin from the old days with the New Jersey Devils, and Petr Sykora, too, from his 2000 performance with those Devils. Sergei Gonchar's been waiting a long time to meet you, but he was so anxious to do so that he played his usual steadying role after suffering a nasty knee injury in the Capitals series; we'll probably find out that he was skating with zero cartilage and ruptured ligaments in his knee ever since, but still played around 20 minutes a game. In Game 7, he logged of 24 minutes time, so yeah, I'd say he was pretty desperate to spend some time with you.
Even old Miro Satan made a return trip from Wilkes-Barre himself, just in the hopes he might dance with you.
The coach? Yeah, that's a crazy story to go from coaching in the AHL in Wilkes-Barre on Valentine's Day to winning the Stanley Cup just a few months later. It is stranger than fiction, indeed. By the way, is it kinda gay of me to have reading glasses that look like Bylsma's glasses? Even a little bit?
But this team is surprisingly deep and so many contributed. Jordan Staal is not even old enough to drink legally in Pennsylvania, but he was a penalty killing machine all playoffs and scored a short-handed goal in Game 4 that probably turned the whole series around. Tyler Kennedy is a grinder if there ever was one and he ended up having the game winner in Game 6. Line-mate Matt Cooke crushed everything within his vision in a red sweater. So did defenseman, Brooks Orpik. But then, he did that last year, so nobody was really surprised. Rob Scuderi single-handedly saved Game 6 with his in-goal heroics.
Well, yes I was getting to that. I was just saving the best for last, because, appropriately enough, so did he. Marc-Andre Fleury is a lithe, acrobatic guy, more of a dancer in net than a jock. They list him at 6' 2" and 180 pounds, but you'll see what a crock that is when you meet him. Perhaps Flower stands 6' 2" in his skates and weighs 180 in all of his gear, skates and stick included. He catches a lot of heat from the media and some of the fans love to disparage him, maybe because he seems so delicate, a trait which masks his iron will. Certain folks will dismiss his performance by pointing to his playoff goals against average (2.61 -- ranks 9th among playoff goalies), or his save percentage (.908 --10th among playoff goalies), but I'd direct you to his post-season wins: 16. It's the only number that matters. It must be said that he's had some rough moments. He let in two flukey goals off those funky springboards in Detroit in Game 1, then he let in a soft goal against Justin Abdelkader (who?) in Game 2. His brilliance in Games 3 and 4 was overshadowed by the Pens offensive firepower. Yeah, I know. He was horrible in Game 5. Just horrible. But when his team needed him most, he turned in back to back brilliant performances in Games 6 and 7 and he fought up until the very final moment, making a spectacular save on Niklas Lidstrom with less than one second left in Game 7. It was a save worthy the Mount Rushmore of saves, one of the Seven Wonders of the World kinda things.
It took a moment, after the clock wound down to zero, for anybody to realize that he had done it, and that the Pens had done it. With that, any questions about Fleury's capacity to perform in the clutch, to come up big in big moments, were answered. He went into a building that had his number, against a team that had his number, a team that circled like vultures for the last 20 minutes of action, and he stoned them. He just fucking stoned them. To be the best, you have to beat the best. That's what Fleury and the Pens did and that, my old friend, takes some stones.
So, welcome back. Give our best to Lord Stanley and enjoy your stay in Pittsburgh. You should get used to it. I can envision you spending a lot of summers here.
Friday, June 12, 2009
One year later
Last summer a disturbance occurred in the lesbian realm, which the Sapphist Gazetteer felt much in the way Obi-Wan Kenobi detected a disturbance in The Force.
It happened when Jodie Foster and Cydney Bernard split after fourteen years when Jodie's gaze fell upon another woman, Cynthia Mort. The story—reported with vigor in The National Enquirer—said Mort was a "younger, prettier woman," and that Jodie ditched Cydney, her considerably older partner, for someone younger.
But that was not entirely accurate. Mort, 53, is indeed younger than Bernard, yes, but only by a few years. Foster, ever the youngest child, is seven years younger than Mort. The one person in this scenario who dumped her wife for a younger woman was none other than Mort, who apparently left longtime partner Melanie Mayron, 56, in favor of Foster, who is looking good, if studiously earnest, at 46.
Mayron is best known as the cute one on "thirtysomething," but in recent years she's evidently been busy as a director for television shows—including directing several episodes of Mort's creation, "Tell Me You Love Me," which, despite abundant sex, lasted one season on HBO in 2007. Mayron also recently gamely played The Older Woman in "The Itty Bitty Titty Committee."
One of the appealing elements of this dyke drama was that it involved no one under 40. In fact, Jodie is the only one under 50.
While it is impossible to know, as it should be impossible to know, the private maneuverings of Ms. Foster, who is particularly protective of her privacy by typical Hollywood standards, we can, however, take a look at the current professional activities of the new Foster-Mort pairing. If it even still exists, naturally.
Foster is connected with several projects in development, including:
• Director, producer for "Flora Plum," a film about circus freaks starring the once charming but increasingly unlikeable Clare Danes
• Actor, producer for "Investigation," a crime thriller with Al Pacino in which Jodie will probably reprise her ice princess role from "Inside Man"
• Actor, producer for "One Hundred Years On," which is described as: "A woman struggles to keep her cattle ranch despite the interest of greedy interlopers." We pray this will be a nice companion DVD to "The Horse Whisperer" with our fave Kristin Scott Thomas!
• Actor, Producer for "Sugarland," a flick about the sugar industry in Florida. We envision a Catherine Deneuvian plantation mistress role Ă¡ la "Indochine"
• Actor, producer for an untitled biopic of Leni Riefenstahl, which could be tricky territory for Foster, who has already been linked in friendship to the very high profile anti-Semite Mel Gibson. We just don't feel good about this.
• Actor, Producer for "Soviet Cowboy," in which Jodie will be creatively cast as Vladimir Putin. At least, that is our hope.
Cynthia Mort, in the meantime, does not seem to be taking advantage of any string-pulling her new Oscar-laden girlfriend might provide. While no doubt keeping busy taking out the trash and unloading/loading the dishwasher at the Foster manse, Mort is filling her off-hours by writing screenplays for the following:
• "Miss Captivity," a film about a reality TV show in a women's prison. Oh dear.
• "The Guide," a film about a Native American detective who helps people disappear. Halle Berry is slated to star, which is its only hope.
• "Bullitt (Remake)," which, unless this stars Foster in the McQueen role, is doomed to fail.
It happened when Jodie Foster and Cydney Bernard split after fourteen years when Jodie's gaze fell upon another woman, Cynthia Mort. The story—reported with vigor in The National Enquirer—said Mort was a "younger, prettier woman," and that Jodie ditched Cydney, her considerably older partner, for someone younger.
But that was not entirely accurate. Mort, 53, is indeed younger than Bernard, yes, but only by a few years. Foster, ever the youngest child, is seven years younger than Mort. The one person in this scenario who dumped her wife for a younger woman was none other than Mort, who apparently left longtime partner Melanie Mayron, 56, in favor of Foster, who is looking good, if studiously earnest, at 46.
Mayron is best known as the cute one on "thirtysomething," but in recent years she's evidently been busy as a director for television shows—including directing several episodes of Mort's creation, "Tell Me You Love Me," which, despite abundant sex, lasted one season on HBO in 2007. Mayron also recently gamely played The Older Woman in "The Itty Bitty Titty Committee."
One of the appealing elements of this dyke drama was that it involved no one under 40. In fact, Jodie is the only one under 50.
While it is impossible to know, as it should be impossible to know, the private maneuverings of Ms. Foster, who is particularly protective of her privacy by typical Hollywood standards, we can, however, take a look at the current professional activities of the new Foster-Mort pairing. If it even still exists, naturally.
Foster is connected with several projects in development, including:
• Director, producer for "Flora Plum," a film about circus freaks starring the once charming but increasingly unlikeable Clare Danes
• Actor, producer for "Investigation," a crime thriller with Al Pacino in which Jodie will probably reprise her ice princess role from "Inside Man"
• Actor, producer for "One Hundred Years On," which is described as: "A woman struggles to keep her cattle ranch despite the interest of greedy interlopers." We pray this will be a nice companion DVD to "The Horse Whisperer" with our fave Kristin Scott Thomas!
• Actor, Producer for "Sugarland," a flick about the sugar industry in Florida. We envision a Catherine Deneuvian plantation mistress role Ă¡ la "Indochine"
• Actor, producer for an untitled biopic of Leni Riefenstahl, which could be tricky territory for Foster, who has already been linked in friendship to the very high profile anti-Semite Mel Gibson. We just don't feel good about this.
• Actor, Producer for "Soviet Cowboy," in which Jodie will be creatively cast as Vladimir Putin. At least, that is our hope.
Cynthia Mort, in the meantime, does not seem to be taking advantage of any string-pulling her new Oscar-laden girlfriend might provide. While no doubt keeping busy taking out the trash and unloading/loading the dishwasher at the Foster manse, Mort is filling her off-hours by writing screenplays for the following:
• "Miss Captivity," a film about a reality TV show in a women's prison. Oh dear.
• "The Guide," a film about a Native American detective who helps people disappear. Halle Berry is slated to star, which is its only hope.
• "Bullitt (Remake)," which, unless this stars Foster in the McQueen role, is doomed to fail.
Thursday, June 11, 2009
To Dream the Impossible Dream, on Ice
Penguins Plan of Attack. According to Generalissimo Me.
pittsburghdish.typepad.com/pittsburgh_dish/2009/06/dear-lord-how-can-we-win.html#more
pittsburghdish.typepad.com/pittsburgh_dish/2009/06/dear-lord-how-can-we-win.html#more
These Two
Rachel Maddow, our beloved big ole lesbian cable TV news commentator, and Ana Marie Cox, a frequent guest on Maddow's show, simply cannot contain their enthusiasm for each other. I've read, and, in fact, confirmed, with after all just a few degrees of lesbian separation between the Sapphist Gazetteer and Dr. Maddow, that Rachel has a girlfriend back home in Western Mass. Unfortunately, I have nothing to share about Ana Marie Cox because I have no idea who she is other than she writes for The Daily Beast. Let's just say she seems a kindred spirit to Rachel. Hence, the flirtatious energy between these two—even via teleconference, no less—is really quite marvelous.
Wednesday, June 10, 2009
We're Not Dead Yet!
These playoffs have reduced me to monosyllabic grunts, groans, yelps, and shrill exclamations. When I manage to even form words, it's usually just a player's name: Gronk! Sid! Brooks! You get the idea. Every now and again, I curse. But last night, there was one name I screamed more than any other: Scuds! Somebody much more articulate than I once wrote:
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
-- Dylan Thomas.
Although it coulda been Rob Scuderi.
It wasn't so long ago in the spring of 2006 that the nicest thing I could say about Mr. Scuderi was, "um, he clears the puck well." He's not an offensive defenseman, like Sergei Gonchar, or even Kris Letang. He's not a body-blow delivery machine like Brooks Orpik, nor is he the humongous slab of humanity that we call the USS Hal Gill. But watching Scuderi's maturation from a mediocre player (sometimes even a liability) to a team leader who makes all the right plays at all the right times, has been one of the more surprising elements of this Penguins journey. He finished the regular season at +23, a remarkable stat for a purely defensive defenseman, and even more remarkable when you consider that, with the arrival of coach Dan Bylsma, Scuds was often deployed to blow up the opposition's best offensive unit.
He's had a tremendous run this post-season, too. He limited Alex Ovechkin. (You cannot entirely stop Ovie, merely limit him and Scuds made sure that Ovechkin never put his team so far ahead that the Pens offensive stars weren't within striking distance.) Then he contributed to the utter dismantling of Eric Staal, the Carolina Hurricane's number one offensive weapon.
But the Red Wings? The Red Wings are a different animal. They can attack from so many lines. If Henrik Zetterberg's not crashing the net, then it's over-grown ginger kid, Johan Franzen. Or Dan Cleary. Or Tomas Holmstrom, who parks himself in the Pens goal crease so much, he's starting to have his mail delivered there.
Last night, it looked like we might see more of the same kind of demoralizing, flukey, ugly scoring we saw in last year's Game 6 when Zetterberg put a puck in the crease that Marc-Andre Fleury accidentally knocked back into the goal with his own derriere. It was the game winner. I try to forget that the Wings' Stanley Cup winning shot was put in by the ass of the Pens net-minder, but Zetterberg clearly hasn't, and he was looking for a little deja vu last night when he dinged a shot off the goalpost that landed behind Fleury. Unlike last year, Zetterberg's shot remained harmlessly in the blue paint. As Fleury tried to move the puck forward, from his post alongside his netminder, Scuderi made one of the smarter plays we've seen all series, as he simply held his stick down on the ice behind Fleury to provide an extra layer of defense against potential errant puck dribblage. Zetterberg and the Red Wings were thus denied and I started to get the feeling that this Game 6 was going to be different.
All night, Scuderi was all around the goal mouth, on two crucial back-to-back penalty kills in the third period, and also scuttling a third-period Pavel Datsyuk rebound out of harm's way. The puck nestled just to the right of the net, just out of reach of Fleury, tantalizingly close to going in. It was precisely the sort of opportunity the Red Wings always seem to capitalize on in typically annoying fashion, except this time, Scuds was there to foil them.
Still, Scuderi saved his best heroics for last.
If you read the official play-by-play of the game, it reads simply: 19:43 - Johan Franzen shot blocked by Rob Scuderi.
And yeah, I guess you could say that. In the same way that you can describe Mt. Kilimanjaro as a big hill and Helen of Troy as okay looking. I guess you could also say that the Beatles were pretty popular once upon a time, too.
With the potentiality of a Game 7 hanging in the balance, Scuderi really was the piece, the most elemental, crucial piece of the puzzle necessary to block not one, not two, not three, but four attempts to stab the puck into net by the Red Wings, and all with Franzen's unappealing ass right in his face. Unlike Zetterberg's crafty move in Game 1 when he gloved a puck on Chris Osgood's back, Scuderi made all the stops with his stick, his leg and his skate, per the letter of the law. By the time the officials blew the whistle for a stoppage of play, 11 players were piled in net, with Scuds at the bottom, still keeping the puck from crossing the line.
There are blocked shots. And then there are blocked shots.
In the words of the inestimable Monty Python boys, 'We're not dead yet!'
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
-- Dylan Thomas.
Although it coulda been Rob Scuderi.
It wasn't so long ago in the spring of 2006 that the nicest thing I could say about Mr. Scuderi was, "um, he clears the puck well." He's not an offensive defenseman, like Sergei Gonchar, or even Kris Letang. He's not a body-blow delivery machine like Brooks Orpik, nor is he the humongous slab of humanity that we call the USS Hal Gill. But watching Scuderi's maturation from a mediocre player (sometimes even a liability) to a team leader who makes all the right plays at all the right times, has been one of the more surprising elements of this Penguins journey. He finished the regular season at +23, a remarkable stat for a purely defensive defenseman, and even more remarkable when you consider that, with the arrival of coach Dan Bylsma, Scuds was often deployed to blow up the opposition's best offensive unit.
He's had a tremendous run this post-season, too. He limited Alex Ovechkin. (You cannot entirely stop Ovie, merely limit him and Scuds made sure that Ovechkin never put his team so far ahead that the Pens offensive stars weren't within striking distance.) Then he contributed to the utter dismantling of Eric Staal, the Carolina Hurricane's number one offensive weapon.
But the Red Wings? The Red Wings are a different animal. They can attack from so many lines. If Henrik Zetterberg's not crashing the net, then it's over-grown ginger kid, Johan Franzen. Or Dan Cleary. Or Tomas Holmstrom, who parks himself in the Pens goal crease so much, he's starting to have his mail delivered there.
Last night, it looked like we might see more of the same kind of demoralizing, flukey, ugly scoring we saw in last year's Game 6 when Zetterberg put a puck in the crease that Marc-Andre Fleury accidentally knocked back into the goal with his own derriere. It was the game winner. I try to forget that the Wings' Stanley Cup winning shot was put in by the ass of the Pens net-minder, but Zetterberg clearly hasn't, and he was looking for a little deja vu last night when he dinged a shot off the goalpost that landed behind Fleury. Unlike last year, Zetterberg's shot remained harmlessly in the blue paint. As Fleury tried to move the puck forward, from his post alongside his netminder, Scuderi made one of the smarter plays we've seen all series, as he simply held his stick down on the ice behind Fleury to provide an extra layer of defense against potential errant puck dribblage. Zetterberg and the Red Wings were thus denied and I started to get the feeling that this Game 6 was going to be different.
All night, Scuderi was all around the goal mouth, on two crucial back-to-back penalty kills in the third period, and also scuttling a third-period Pavel Datsyuk rebound out of harm's way. The puck nestled just to the right of the net, just out of reach of Fleury, tantalizingly close to going in. It was precisely the sort of opportunity the Red Wings always seem to capitalize on in typically annoying fashion, except this time, Scuds was there to foil them.
Still, Scuderi saved his best heroics for last.
If you read the official play-by-play of the game, it reads simply: 19:43 - Johan Franzen shot blocked by Rob Scuderi.
And yeah, I guess you could say that. In the same way that you can describe Mt. Kilimanjaro as a big hill and Helen of Troy as okay looking. I guess you could also say that the Beatles were pretty popular once upon a time, too.
With the potentiality of a Game 7 hanging in the balance, Scuderi really was the piece, the most elemental, crucial piece of the puzzle necessary to block not one, not two, not three, but four attempts to stab the puck into net by the Red Wings, and all with Franzen's unappealing ass right in his face. Unlike Zetterberg's crafty move in Game 1 when he gloved a puck on Chris Osgood's back, Scuderi made all the stops with his stick, his leg and his skate, per the letter of the law. By the time the officials blew the whistle for a stoppage of play, 11 players were piled in net, with Scuds at the bottom, still keeping the puck from crossing the line.
There are blocked shots. And then there are blocked shots.
In the words of the inestimable Monty Python boys, 'We're not dead yet!'
Monday, June 8, 2009
Clarity
Wow, just looked at my blog and realized I hadn't updated since March- Oops! Most recent vinyl purchase is "Clarity" by Jimmy Eat World. It is one of my all-time favs, and was at the top of my vinyl want list, but I didn't think I would ever be able to afford the outrageous prices for the 1999 release on eBay. Well, thanks to the 10 year anniversary re-release I own it and have been spinning it!
Been listening to lots of heavy stuff recently- rediscovered my love for Demon Hunter, been listening to their first three albums (still haven't bought the newest one, but will soon). I also discovered Isis on emusic recently, they sound like a cross between Tool and Mogwai but with a minimal amount of gutteral metal vocals.
Just discovered Tess Wiley has a new band and a new album! The name of the band is Land der Lebendigen, and as you might have guessed, all the lyrics are in German. Song samples sound cool though, folkly but diverse instrumentation. I listen to plenty of instrumental music, so why not listen to music sung in German- might motivate me to continue to learn the language (started, sort-of, six years ago).
Lastly, I drove down to the beach this week and have been listening to non-stop Starflyer 59 in the car. Turns out I really like the album "My Island," more than I realized, and I don't really like the new album "Dial M", except for two songs.
Been listening to lots of heavy stuff recently- rediscovered my love for Demon Hunter, been listening to their first three albums (still haven't bought the newest one, but will soon). I also discovered Isis on emusic recently, they sound like a cross between Tool and Mogwai but with a minimal amount of gutteral metal vocals.
Just discovered Tess Wiley has a new band and a new album! The name of the band is Land der Lebendigen, and as you might have guessed, all the lyrics are in German. Song samples sound cool though, folkly but diverse instrumentation. I listen to plenty of instrumental music, so why not listen to music sung in German- might motivate me to continue to learn the language (started, sort-of, six years ago).
Lastly, I drove down to the beach this week and have been listening to non-stop Starflyer 59 in the car. Turns out I really like the album "My Island," more than I realized, and I don't really like the new album "Dial M", except for two songs.
Sunday, June 7, 2009
Pitiful Penguins Performance. With Video.
I woke up this morning thinking of the 1989 Pittsburgh Steelers, who opened their season by losing at home, at Three Rivers, to the divisional rival Browns by a score of 51-0. That's not a typo, the Cleveland Browns had 51 points and the Pittsburgh Steelers had zero. It was a game in which the Steelers turned the ball over eight times (five fumbles and three interceptions.) Watching the game on a beat up Zenith television set in my first apartment, I remember thinking the Steelers were just snakebit that day. Nothing worked. Every phase of the game looked like the climax of a slasher flick. No matter what they tried, it blew up like one live hand-grenade after another. It was just one of those games where you knew that, not only would they not be able to right the ship, they wouldn't even be able to claim any moral victories. There would be no drives to build on, no defensive stands to feel good about. As good as the Browns were that day, the Steelers were equally putrid.
That's what the Penguins game felt like last night. Only turned up to eleven.
www.youtube.com/watch?v=EbVKWCpNFhY
And like that Steelers game, through my own sheer stupid stubbornness, I watched until the bitter end. It was like a self-imposed 'Ludovico Technique,' with beer. (en.wikipedia.org/wiki/Ludovico_technique )
It was so promising for a few minutes. The Pens came out flying high, cycling the puck, finishing their checks, forcing the action in the Detroit defensive zone, and playing up to the occasion. Then Niklas Kronwall tripped Chris Kunitz, the Pens went on the power play, and it all turned to shit. Smelly, stinky, pungent penguin scat.
The Pens put not one single shot on Chris Osgood with the man advantage. The Red Wings special teams, which had heretofore been foul-smelling themselves, got a huge lift from the penalty kill and just four minutes after the neandertal Kronwall made his return from the penalty box, Daniel Cleary blasted a shot between Brooks Orpik's legs, which sailed right past Marc-Andre Fleury. I don't think Fleury was even aware of the shot, just felt the breeze in his hair as it whistled by. The 1-0 lead would have been good enough for the Red Wings on the night.
Things only deteriorated from there. The Red Wings played like champs so I don't mean to take anything away from Detroit when I say that the Pittsburgh Penguins played like a bunch of jackass penguins.
www.youtube.com/watch?v=Dz6dqY4x0TU&feature=related
I don't think we need to revisit in detail the horrors of the Red Wings power play success (3 for 9) or Marc-Andre Fleury's turnstile impersonation in net. Meanwhile, the officials, the same crew which had worked Game 3 and had allowed a, shall we say, Anaheim Ducks style of play, decided to call this one closer to the vest. Much closer. The Red Wings adjusted. The Pens didn't, leading to 18 minutes worth of minor (2-minute variety) penalties served by Pittsburgh and the embarrassing 30 minutes of game misconduct penalties (three 10 minute misconducts handed out near the end of the game to Craig Adams, Matt Cooke and Max Talbot).
Though, if I'm being honest, it's hard to be genuinely pissed at Talbot, Cooke and Adams as I myself was calling for Bylsma to send out the Hanson Brothers by the beginning of third period.
www.youtube.com/watch?v=LJkHm2WtSsk
The good news is that regardless of the final score, whether 1-0 or 51-0, it still only counts for one game. (That, and the fact that Benedict Arnold Hossa has zero goals in this series, and is showing his true stripes as a regular-season phenom and post-season weakling.)
The Pens can win Game 6 at home on Tuesday, provided, of course, that they don't play like a bunch of jack-asses again. But you have to wonder, even if they win Game 6, are they capable of taking a single game at the Joe in Detroit? If you listen hard enough, you can almost hear Morgan Freeman's voice-over narration, "Sadly, none of the Penguins would survive their journey to Motown ..."
That's what the Penguins game felt like last night. Only turned up to eleven.
www.youtube.com/watch?v=EbVKWCpNFhY
And like that Steelers game, through my own sheer stupid stubbornness, I watched until the bitter end. It was like a self-imposed 'Ludovico Technique,' with beer. (en.wikipedia.org/wiki/Ludovico_technique )
It was so promising for a few minutes. The Pens came out flying high, cycling the puck, finishing their checks, forcing the action in the Detroit defensive zone, and playing up to the occasion. Then Niklas Kronwall tripped Chris Kunitz, the Pens went on the power play, and it all turned to shit. Smelly, stinky, pungent penguin scat.
The Pens put not one single shot on Chris Osgood with the man advantage. The Red Wings special teams, which had heretofore been foul-smelling themselves, got a huge lift from the penalty kill and just four minutes after the neandertal Kronwall made his return from the penalty box, Daniel Cleary blasted a shot between Brooks Orpik's legs, which sailed right past Marc-Andre Fleury. I don't think Fleury was even aware of the shot, just felt the breeze in his hair as it whistled by. The 1-0 lead would have been good enough for the Red Wings on the night.
Things only deteriorated from there. The Red Wings played like champs so I don't mean to take anything away from Detroit when I say that the Pittsburgh Penguins played like a bunch of jackass penguins.
www.youtube.com/watch?v=Dz6dqY4x0TU&feature=related
I don't think we need to revisit in detail the horrors of the Red Wings power play success (3 for 9) or Marc-Andre Fleury's turnstile impersonation in net. Meanwhile, the officials, the same crew which had worked Game 3 and had allowed a, shall we say, Anaheim Ducks style of play, decided to call this one closer to the vest. Much closer. The Red Wings adjusted. The Pens didn't, leading to 18 minutes worth of minor (2-minute variety) penalties served by Pittsburgh and the embarrassing 30 minutes of game misconduct penalties (three 10 minute misconducts handed out near the end of the game to Craig Adams, Matt Cooke and Max Talbot).
Though, if I'm being honest, it's hard to be genuinely pissed at Talbot, Cooke and Adams as I myself was calling for Bylsma to send out the Hanson Brothers by the beginning of third period.
www.youtube.com/watch?v=LJkHm2WtSsk
The good news is that regardless of the final score, whether 1-0 or 51-0, it still only counts for one game. (That, and the fact that Benedict Arnold Hossa has zero goals in this series, and is showing his true stripes as a regular-season phenom and post-season weakling.)
The Pens can win Game 6 at home on Tuesday, provided, of course, that they don't play like a bunch of jack-asses again. But you have to wonder, even if they win Game 6, are they capable of taking a single game at the Joe in Detroit? If you listen hard enough, you can almost hear Morgan Freeman's voice-over narration, "Sadly, none of the Penguins would survive their journey to Motown ..."
Friday, June 5, 2009
Haiku Pucks
Game 4, in haiku form:
Geno swoops and scores
post-season point thirty-four
Mom and Pop high five
Jordan Staal explodes
Rafalski caught flat-footed
Epic short-hander
Detroit special teams
give up two goals in must-win
May cost them the Cup
Flower's eyes are on
unflappable acrobat
Hossa's shots denied
Malkin feeds Crosby
Mortal Osgood looks shakey
Sidney buries it
Sid spins, passes, scores
Zetterberg chasing the Kid
Gives in to fatigue
Kennedy's poke-check
Another Pens takeaway
Chris to Sid to Ty
The springboards beckon
Sid ready to feast on squid
Lord Stanley, come home
Geno swoops and scores
post-season point thirty-four
Mom and Pop high five
Jordan Staal explodes
Rafalski caught flat-footed
Epic short-hander
Detroit special teams
give up two goals in must-win
May cost them the Cup
Flower's eyes are on
unflappable acrobat
Hossa's shots denied
Malkin feeds Crosby
Mortal Osgood looks shakey
Sidney buries it
Sid spins, passes, scores
Zetterberg chasing the Kid
Gives in to fatigue
Kennedy's poke-check
Another Pens takeaway
Chris to Sid to Ty
The springboards beckon
Sid ready to feast on squid
Lord Stanley, come home
Thursday, June 4, 2009
Thanks, But No Swedish Meatballs for Me
The latest in my running meditations of sports hate. For the Dish.
pittsburghdish.typepad.com/pittsburgh_dish/2009/06/why-i-hate-the-red-wings.html#more
pittsburghdish.typepad.com/pittsburgh_dish/2009/06/why-i-hate-the-red-wings.html#more
Wednesday, June 3, 2009
The Pittsburgh Pirates Are Dead from the Neck Up
Just when I thought it was safe to go back to PNC Park, when I thought it was okay to peek over my morning coffee into the baseball scores. I crunched the numbers and saw progress, real for real progress, in a lot of areas. So just when I thought it was okay to care, just an eentsie bit, the Pirates became the Pirates. Stupid is as stupid does.
sports.espn.go.com/mlb/news/story?id=4228972
You have to ask: Do they want to lose?
Secondly: Are they trying to kill me?
I don't buy the ruse that they're making room for Andrew McCutchen. As Danny Murtaugh once said, a McLouth batting in the three hole is worth a McCutchen in the minors. Unless they got the second coming of John Smoltz in this deal, they were outplayed at the bargaining table. Again.
I knew this guy when I was a kid, George the Greek. That's what everybody called him. I have no idea what his surname was. He did light construction work. I think he worked for the Borough's municipal works crew or something. I remember him pouring a sidewalk at my childhood home. That's what George the Greek was -- a basic guy who knew how to fix a few things, was good with his hands and lived pretty simply. I don't mean to say he was dumb, but he saw the world in simple terms. Something worked or it didn't. Certain foods tasted good and others didn't. Working hard and having a couple of beers at the end of the day was a good thing. Being paid to loaf and having a few beers at the end of the day was an even better thing.
What I'm getting at is that even George the Greek would have known to hang on to Nate McClouth. Not only that, he's the kind of player you can start building the franchise around.
We've all had this conversation about and with Pirates management for years. My uncle recently reminded me of something George the Greek used to say that is particularly applicable here.
Ah, what's the use of talkin'.
sports.espn.go.com/mlb/news/story?id=4228972
You have to ask: Do they want to lose?
Secondly: Are they trying to kill me?
I don't buy the ruse that they're making room for Andrew McCutchen. As Danny Murtaugh once said, a McLouth batting in the three hole is worth a McCutchen in the minors. Unless they got the second coming of John Smoltz in this deal, they were outplayed at the bargaining table. Again.
I knew this guy when I was a kid, George the Greek. That's what everybody called him. I have no idea what his surname was. He did light construction work. I think he worked for the Borough's municipal works crew or something. I remember him pouring a sidewalk at my childhood home. That's what George the Greek was -- a basic guy who knew how to fix a few things, was good with his hands and lived pretty simply. I don't mean to say he was dumb, but he saw the world in simple terms. Something worked or it didn't. Certain foods tasted good and others didn't. Working hard and having a couple of beers at the end of the day was a good thing. Being paid to loaf and having a few beers at the end of the day was an even better thing.
What I'm getting at is that even George the Greek would have known to hang on to Nate McClouth. Not only that, he's the kind of player you can start building the franchise around.
We've all had this conversation about and with Pirates management for years. My uncle recently reminded me of something George the Greek used to say that is particularly applicable here.
Ah, what's the use of talkin'.
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